i used to buy
esoteric childrens' books when my kids were young because i liked reading them
to them and the drawings were lovely. one of them was called "pandas'
puzzle" and was about a panda bear. he wanted to find out who he was; a
white bear with black spots or a black bear with white spots, so he travelled
around the world visiting places hoping to find his answer. one of the places
he went to was a buddhist monastery in the mountains of tibet. that was one of
my favorite pictures in the book. it was a double page spread of ethnic dressed
men playing on instruments i had never seen before in an exotic environment,
and panda joined them. he played a drum.
today i traveled along with the other 35 women
from the gamelon temple orchestra, to a temple up in the mountain village of
kintamani. it is a village near the batur lake, which is where we get our
abundant water in our village which is down by the sea, 90 minutes away from
there. and as i sat there playing the gamelon music as a gesture of praise and gratitude
to god for the gift of this water, i suddenly had a zoom out view of the temple
and the surroundings; mist mingling with the steep mountains covered by the
tall pine trees, and the peaked roofs of the outdoor
temple complex, and a bunch of dark skinned, mustached men with turbin like
head coverings, and me playing a gamelon chime!
the "is this for
real?!" moment happens to me every now and then here in bali. and it was
happening again now, with a kind of observer within me enabling to also be
playing the music and also be watching myself sitting there in this other
worldly environment. and yes, the only foreigner. maybe that is part of what
makes it unique each time, finding myself among all these lovely balinese
villagers...just part of it all.
when my friend told
me a few days ago about this once every 10 years, week long act of gratitude by all the priests and
many villagers, i was so curious to be part of it all and see and feel what
happens. i tried to speak with one of the priests to see if i could join him on
the trip, but it was too complicated. i try to let go of "wanting"
things, so if a desire arises and i express it and it does not "open
up" for me, i let it go and assume that something else is in store for me.
i knew i would be going there on the 3rd day of their week stay, so i just told
myself to be patient and grateful and not to want it all!
we left before dawn
in a few old vans. most of the women are not used to going in a car, only
riding motorbikes, so they were concerned about nausea and were busy
choosing where to sit and what
food to eat or medicine to take so they could make it through the 90 minute
ride. lots of laughs about it all. i figured with 60 years of being in a car, i
could handle the back bench, and it was fine. the ride is on a steep winding
narrow uphill road. it was quite appropriate to be passing many men and women
walking kilometers, who were carrying a big bucket on their head with water
they had collected from their village spring or well in order to bathe and
cook...making me all the more grateful that our village has running water! and
that was the reason the priests and villagers were devoting a week of intention
to god/nature in gratitude.
the site itself of
the temple reminded me of the grave site of rabbi shimon bar yochai near tzfat
in israel. the complex of open air temple was built on a steep hill with lots
of little houses huddled near it, where families live, but during this week,
they rent out their rooms for a few $ to the devotees that come for a few days.
the rooms are small, old, and unkempt, but a thin mat on the floor is all
anyone is looking for so that they can just lay down and sleep there like that.
no furniture, dusty windows, and the word "slums" is the closest i
could find to reflect the look of it. so it was quite incongruous for me to be
invited by one of the gamelon women to follow her, after we finished playing
our music, to her room to hang out until we would leave again a few hours
later. the balinese are used to resting between 11-1, and today was no
exception. they just needed a flat surface for a few hours. she is quite a high
class woman, so it just surprised me to see how these surroundings did not make
the slightest difference to her. she felt just as comfortable here, with
friends and family, as in her home, even getting undressed in front of all of
us as we sat out on the little porch.
i was not interested
in napping and was so curious to have a few hours here at the temple, so after
taking in this sideline glimpse, i headed back through the steep narrow pathway
to the nearby temple again. there i found that all of the men that had gathered
round the bale while we were playing, and seemed so at peace with the music,
were actually a mens' gamelon group from another village and it was now their
turn playing. while they played, another group of 20 men played on another bale
with different gamelon chimes and drums, some 10 meters away. while this was
going on the chanters were singing into the microphone songs of praise to
totally different rhythms. a man started speaking to me amongst all of
these sounds in the quietest voice, telling me a long story in indonesian,
without me understanding a word of it or even able to hear him. but when he
laughed, i laughed, and he was happy to continue, sharing something that had to
do with god...and nothing to do with making a pass at me, which is not
something any of them do. it isn't part of their lexicon.
i sat there and tried
to figure out what is going on? why are they all performing at the same
time? and for who? there is no one there other than us, and the villagers that
are busy in clusters of men or women, preparing food for us or offerings for a
ceremony. another "aha" moment while i was playing the gamelon, was
suddenly realizing that we are playing this music for the mountains, trees,
air, sky, spirits....this is not for us or for any humans. the whole atmosphere
is unpretentious, yet with utter respect, no show, no ego, no audience, no
compliments, no stars, no pressure to be anything other than what we are; a
simple group of people doing our best. the individual does not exist.
everything is done together, and is anonymous. no star performers, no applause.
it is as if we
are "keeping space". that if i play the gamelon, then that is what i
can bring to god. and if someone else dances, that is what he can bring. but it
is all done in groups. everyones' gratitude or intentions
are personal and modest. and shown by random moments of clasped palms at the
third eye chakra and closed eyes, during the short ceremony the priests do when
devotees arrive and place their box of offering on the mantle so that the
"essence" of the fruits and foods, can be eaten by god and then the
blessed offerings are taken back home for us humans to ingest the contents on
the physical level, aware of the fact that it is not just "an apple"
now, but a "blessed apple" that we eat in gratitude and awareness.
no one knew when we
would be returning home, the time changed from moment to moment, and it also
didn't seem to matter to anyone. the fact that all we did was sit there for a
few hours, next to each other, talking about nothing in particular, or eating
food that was offered to us, out of hospitality, not out of hunger, seemed
perfectly fine. nothing was happening, people would pass by in two's bringing
more woven leaves or baskets with different foods needed for the symbolic
offering that the priests would do at some point. i could tell that many of the
people were looking at me, dressed in the gamelon outfit of white blouse,
yellow sash tied on the red sarong, with a gold flower piece hanging on the
right side of the big black bun that each of us had connected to our own black
hair...again...anonymous...all looking like the ideal balinese woman.
what was interesting
was that at one point i was sitting a bit apart from the others, and a balinese
woman came and sat down next to me. and after a while, out of the blue she asked me if i like rice, in english.
and i said "uh, yes." and after a while i asked her if she knows
english and when she said no, we just continued to sit next to each other.
every now and then i said something to her in indonesian and she answered me in
english. i realized that sitting next to someone who is sitting alone, is what
is important...not whether we speak or not. i realized that that was why the
old woman had come and sat next to me when i went into the city a month before
on public transportation, and even though no one else was in the van, she
cuddled up next to me on the same seat. being together is desirable. this is a
country of always trying to find a way to make the other person feel at ease,
happy. that is how they feel pleasure, by pleasing someone else.
at one point i
wondered why i only see men at the temple, and i noticed some steps towards the
back leading to some women. when i walked into that courtyard i found groups of
women sitting together on the ground making different items for more offerings.
lots of giggles, and they immediately made me feel at home, showed me how to
fold the palm leaf to make the little boat shape that would be filled with dry
rice, and were busy asking me questions in indonesian that i couldn't
understand and laughing and smiling and leaning on me and each other. and then
suddenly instead of leaving at 4, as planned, we were leaving now, 3 hours
earlier...oh well...
when we walked up the
long path to the van i turned back to have a look at where we had been. i was
surprised to see the black coconut hair layered peaked roofs of the temple
rising above the black cement carved wall surrounding the temple grounds on the
top of a mountain. we had been dropped off near the temple, so i never had a
view of it from afar. it looked like a fairy tale, and again reminded me
of the childrens' book i had bought...and i am in it.
by the time we got
back to our village and i walked home, all i wanted to do was to get the hair
piece off of my head, take off the girdle and long sleeve tight blouse, and just
be me. that is what panda discovered too...that he didn't need to know whether
he was a white bear with black spots, or a black bear with white spots, he
could just play his music and just be him, without having to define who he is.
p.s. it is now the following day...the internet didn't work so i couldn't put this on line. meanwhile, i found out, "by chance" that today and tomorrow are the big ceremonies at the temple, and that yesterday was the day without people or anything...so that's why there were not people or anything! and so the desire arose again, to go and be part of it all today too. as i toyed with the idea, i suddenly met the head priest who is my neighbor and he said he would be taking a motorbike back in a few minutes...i said i would think about it.
when i got home i waited to hear my inner answer, whether this is insane or sane....i started to organize clothes, money, flashlight, etc, and then just before dashing to bathe myself i realized that this has way too much desire in it and i am not going to go. so, just calmed down, and enjoyed the quiet day i had planned. then a 1/2 hour later the priest beeped his motorbike in front of my house, all smiles saying "let's go!" i started to tell him it is crazy (in sign language, since he doesn't know english) and meanwhile he was telling me how he will wait and i should definitely come in order to pray there...so...i figured, i guess i'm supposed to say yes to life. i told him to wait 5 minutes, got everything organized. we zoomed off on his motorbike...it reminded me of "hell's angels" for some reason...i guess i was never with a young man on the back of his motorbike zooming up the mountainside! he was an excellent driver, had a powerful motorbike and the same ride that i had done the day before in the old van with no windows open, was now done on the back of his bike, rejoicing in the magnificent nature and views the whole way.
when we arrived the place was crowded with thousands of villagers, dancers, musicians, offerings, men women children, all ages. i spotted a place i could sit down and it turned out i was next to a very kind and friendly young man that spoke excellent english and is a tour guide from my village and he proceeded to explain everything. i had just missed the 10 different dancing performances but was just in time for the "circle procession" which all of the musicians, dancers, priests and villagers with offerings and flags (hundreds of people) going around the temple. the next couple of hours was filled with just the colorful and lively yet simple atmosphere that was not there the day before.
when we all finished praying and being blessed by the priests most of the villagers started to head home, and again, i wondered whether to just sleep somewhere, somehow, and maybe experience other special performances, or to find a ride home with someone. again, another angel appeared, the uncle of my friend, who assisted me and explained things and eventually i chose to have a good nights sleep at home in my bed, and was helped by another angel that found me some space in a pick up truck full of 16 people going back to my village. another funny experience that i may blog about...but grateful to be back.
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